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Tamil Serial Actress Biography Manorama (born Gopishantha[citation needed] Tamil: கோபிசாந்தா) is a veteran Tamil actress who has acted in more than 1500 films, 1000 stage performances and a few television serials.[2] She is affectionately called Aachi by the South Indian people.[3][4] She holds a Guinness World Record for acting in the most number of films. Manorama, a legend, was born Gopi Shantha to Kasi Clockudaiyar and Ramamitham on 26 May 1943 at Mannargudi, Tiruvarur district of Tamil Nadu. Later her family moved to Pallathur near Karaikudi owing to poverty.[1] She started her acting career at 12 years as a drama artist.[5] When she started her stage performances she was rechristened as Manorama by the drama director, Thiruvengadam, and the harmonist, Thiayagarajan. She continued to act in plays and also performed on stage as a playback singer. [edit]Entry into cinema Manorama slowly migrated from dramas to the silver screen with the role of a comedienne in the Tamil film Malayitta Mangai. During her initial days in the cine field, she concentrated more on comedy. She was given equally challenging roles alongside the well known comedian Nagesh.

They made an excellent pair and acted in many praiseworthy comedies. The first song that Manorama sang in cinema was in a film called Magale Un Samathu.

The producer of this film, P. Kumar had seen Manorama perform in dramas and gave her the opportunity to sing.[6] The song was composed by G. Venkatesh, famous yesteryear music director, with whom Ilaiyaraja had worked as an assistant. Manorama sang this song along with L. Eswari, another famous yesteryear Tamil singer.

'Thaatha thaatha pidi kudu. Indha thalladha vayasila sadugudu.' Were the beginning lines of this song.

However, 'Vaa vaathiyaare uttaande.' Composed by music director V.

Kumar for the film Bommalattam, was the first song that became a hit for her. She performed along with Cho Ramaswamy in this song. [edit]Critical acclamation Manorama's role in the film Thillana Mohanambal was much appreciated and noticed even with the presence of great stalwarts like Sivaji Ganesan and Natiya Peroli (Danseuse) Padmini in the movie.

Manorama personally shared in an interview that initially she was extremely nervous of acting in front of veterans like T. But, the director A. Nagarajan made her understand that the scenes in which Jil Jil Ramamani appears, she would be the centre of attention and not anyone else. This gave her the confidence to portray the wildly expressive, loud-talking but tender-hearted character on screen in an admirable fashion.[7] Ever since, she was provided with more scope in varied roles in addition to comedy. She took each responsibility with such an ease, which made the Tamil industry recognize her immense talent. Cho Ramaswamy claimed on the Tamil TV show Koffee with Anu that he was the first one to call Manorama as the female Sivaji Ganesan.

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He admired her for her versatility in acting and the ability to surprise with her performance.[8] [edit]Trivia Manorama shared the screen space in the Hindi movie Kunwara Baap with the legendary comedian Mehmood. Manorama stated in an interview with a Toronto TV channel that one of the most challenging characters she played was the role of the 50-year-old unmarried woman she played in the film Nadigan with Sathyaraj.[9] Playing that character was a tight-rope walk, since one wrong step could have made the character seem vulgar. In the same interview, Manorama also mentions that she is highly indebted to her mother for her upbringing and success. It seems many of the mother roles that she has played so far in films, resemble the character of her own mother a lot.[10] When asked about the secret of her youthful charm and beauty, Manorama quipped in Tamil 'Agathin azhagu mugathil theriyum', meaning 'The beauty of the mind is reflected on the face.' [11] She went on to say that her heart and mind are still youthful, which is the secret of her youth. The last time that Manorama met Sivaji Ganesan, before his death was on May 26, 2001, when she had gone to his home to receive his blessings on her birthday.[12] At that time, she was extremely pleased to hear him telling his wife that no one can do better than Manorama when it comes to speaking different dialects of Tamil.